III-VI

In numerology, VI and III are two very significant numbers:six is the sum of the first three numbers, notoriously the strongest numbers, while three is called the “perfect number” with clear reference to the divine and Pythagorean triad. These two numerical entities give rhythm to the score of these pages in a repetition of I, II, III; the seagulls are suspended notes, left in the middle, traces. The seagull is perhaps one of the closest things to God, majestic, proud, ethereal; in the sky it reigns, on earth it betrays a more subtle and miserable nature.

In the second part of the work comes the mimesis of the same birds, which become fetishes, shapes of paper.This first material passage wants to translate the metamorphosis of the descent of the seagull into the ground.

The epilogue will be negative.

From the VI (of the first part) we pass through a series of earthly phenomena at III (second part), smaller number because something has been lost in the passing of time, but at the same moment what has been formed is perfect.And this is perhaps what we must ask our life:to ripen remaining always unripe. This is what we want to investigate in this project through emptiness, silence and metaphysics.